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	<title>Lila &#187; fantastic realism</title>
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	<description>Visionary Art, Contemporary Sacred Art, Outsider Art</description>
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		<title>On Visionary Art</title>
		<link>http://lila.info/interviews/on-visionary-art-and-on-drawing.html</link>
		<comments>http://lila.info/interviews/on-visionary-art-and-on-drawing.html#comments</comments>
		<pubDate>Fri, 09 Mar 2012 21:03:03 +0000</pubDate>
		<dc:creator>Daniel Mirante</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Ernst Fuchs]]></category>
		<category><![CDATA[fantastic realism]]></category>
		<category><![CDATA[HR Giger]]></category>
		<category><![CDATA[laurence caruana]]></category>
		<category><![CDATA[lineage]]></category>
		<category><![CDATA[prime of styles]]></category>
		<category><![CDATA[Wolfgang Grasse]]></category>

		<guid isPermaLink="false">http://lila.info/?p=1293</guid>
		<description><![CDATA[Lila is proud to present this excellent overview of visionary art by Rob Percival. <em>"Fuchs speaks elusively of "a secret art whose traces I have discovered with almost all people and cultures, but also in nature itself, there where the primeval world appears."  The nucleus of this secret art is a shared grammar, 'ein verschollener Stil', ... this secret grammar is the unifying factor that underpins the bewildering diversity of the genre."</em>]]></description>
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		<title>Archetypes &amp; Ecologies – Agostino Arrivabene</title>
		<link>http://lila.info/interviews/agostino-arrivabene.html</link>
		<comments>http://lila.info/interviews/agostino-arrivabene.html#comments</comments>
		<pubDate>Sun, 29 May 2011 14:38:21 +0000</pubDate>
		<dc:creator>Daniel Mirante</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[fantastic realism]]></category>
		<category><![CDATA[italy]]></category>
		<category><![CDATA[oil painting]]></category>
		<category><![CDATA[Old master]]></category>

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		<description><![CDATA[The painting of Agostino Arrivabene are steeped in the archetypal wisdoms and depths found in classical and ancient mythology.  Painting is a precision instrument in order to explore that which is not cognizable through science and rationality.]]></description>
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		<slash:comments>8</slash:comments>
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		<title>&#8220;The Dehumanization of Art&#8221; and &#8220;mules, without understanding&#8221;. Part 2.  An Alternative to Modernism</title>
		<link>http://lila.info/articles/the-dehumanization-of-art-and-mules-without-understanding-part-2-an-alternative-to-modernism.html</link>
		<comments>http://lila.info/articles/the-dehumanization-of-art-and-mules-without-understanding-part-2-an-alternative-to-modernism.html#comments</comments>
		<pubDate>Thu, 23 Dec 2010 20:52:40 +0000</pubDate>
		<dc:creator>Daniel Mirante</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[fantastic realism]]></category>
		<category><![CDATA[modern art]]></category>
		<category><![CDATA[modernism]]></category>
		<category><![CDATA[Oleg Korolev]]></category>

		<guid isPermaLink="false">http://lila.info/?p=1707</guid>
		<description><![CDATA[Oleg Korolev describes the spiritual vivifying of Sacred Art as an alternative to the blind alley of Modernism. "Visionary Art" is pointing to the height of the human Transcendence. "Conventional Art" has come to its bottom point, and this situation gives to the constant of the Art of Transcendence a chance to manifest itself again. ]]></description>
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