As an offering to the Planetary Permaculture Movement we have created a Workbook of Permaculture Worksheets. This educational toolkit will help support your learning and teaching practice. In the spirit of a genuine love for permaculture education and in gratitude to the World Community, this new learning tool is intended to help heal and empower [...]
The intention of this study is to demonstrate the occurrence of mystical experience in the English Romantic and American Transcendental literary traditions of the eighteenth and nineteenth centuries. The characteristics of this phenomenon are explored and identified in the analysis and their influence is assessed
In visions and visionary art we often witness a sensibility that is not really a conventional beauty. It may be elegant, enchanting, intricate, but it challenges rather than succours us, it does not key into sentimentalised or strictly culture bound notions of beauty, but touches upon the ‘full cycle’.
Was there, perhaps, a time when the imagined image actually delivered something—some mysterious fulfillment—of which the vague but persistently promised pseudo-fulfillments offered today are a vague echo?
Oleg Korolev describes the spiritual vivifying of Sacred Art as an alternative to the blind alley of Modernism. “Visionary Art” is pointing to the height of the human Transcendence. “Conventional Art” has come to its bottom point, and this situation gives to the constant of the Art of Transcendence a chance to manifest itself again.
This global arts journal shares a garden of visionary nature art from all continents of the world. This special magazine, full of visionary art and articles has become a collectors item.
Avatar is real: Pandora exists in our planet and it’s located in South and Central America, and Africa. The Na’vi peoples, the Indigenous peoples in those regions are being displaced and killed right now, in order to extract the natural resources laying underground. The names of places and peoples may be different in the movie, but the facts of reality are almost the same.
Sacred art cannot be delineated as a discreet movement, or genre. Sacred and visionary elements are to be found across the spectrum of art, across all times and places. Visionary art is an expression of profound and mysterious levels of consciousness. And it is ancient, the ‘original art’, whos aim is to continually revive and resurrect a profound respect of mystery within the matrix of culture.
It is with great honor that Lila is able to present Maura Holden’s latest finished work, Divisions of Neptune, accompanied by a work of mytho-prose reflective of some of the originating feelings and meditations contained within this unique painting.
Interview conducted by Lunaya Shekinah of Lightscience with prolific artist / writer / curator, Daniel Mirante, discussing possible futures, and the nature of the imagination.
Ernst Fuchs – The Spirit of Mercury, 1954.The art of Fuchs forces an examination of the Western roots of spirituality, affirming revelatory spiritual power within Christianity. In the wake of Darwinism, and the world wars this has not been a popular position. And yet Fuchs himself had to work through the perplexities and obscurities, and the devestation of post-war Europe, to find the shining pearl hidden in the mire of matter.
A facinating theory of evolution which integrates the role of matrifocal socieities and the role of art into the mix. “Culture requires brains, and brains of that immense degree were never necessary in any other animal. The human act that demanded immense brain power was the act of art. This requirement is because in art there are no limits.”
Cast forth from the garden by the jealous archon, she wanders the earth, trying to find another garden.
Outside the Amazon, artists not born into or raised in indigenous or mestizo ayahuasca-using cultures, including such well-known visionary artists as Alex Grey, Robert Venosa, and Martina Hoffmann, have rendered visual experiences attributed to the ingestion of ayahuasca or DMT. For want of a better term, I will call this body of work DMT art…
Jay Michaelson discusses his views of the Ayahuasca experience and its relationship to Kabbalah – “…journeys of the soul to other realm and in the sense of a transformation of the self. They yield information, prophecy, revelation, theophany.”
Delvin Solkinson and Daniel Mirante
The creative imagination is vitalized and inspired by a reconnection to the Gaian fertility circuit. Our creativity is our most valuable faculty for regenerating the web of life and moving humanity beyond its current existential and ecological blind alley.
Jay Michaelson
A facinating exploration of how intentional sexuality operates in contemplative practice today.
The hummingbird is the quintessential symbol of the Nectarian form of art. In Brazil the hummingbird is called the ‘beija-flor’ – kisser-of-flowers. This beautiful poetic term describes the deep sensuality of the intimate engagement with Nature.
An interview with Miranda Shaw by Craig Hamilton
When Professor Miranda Shaw looks at women in Tibetan paintings, she does not see colorful two-dimensional figures born of an artists mind. She sees “numinous, sky-borne women,” “revelers in freedom,” “enchantresses of passion, ecstasy and ferocious intensity”—radiant reflections of the powerful, enlightened women who helped to shape the world of Buddhist tantra.
By Stan Grof M.D
A facinating exploration of holotropic states of consciousness in context to healing : “Ancient and pre-industrial cultures have held holotropic states in high esteem, practiced them regularly in socially sanctioned contexts, and spent much time and energy developing safe and effective techniques of inducing them…”